Born in Rome in 1984, Sesto Quatrini obtained three Master’s Degrees in conducting, composition and trumpet, studying at Conservatory of Music of L'Aquila and perfecting in conducting in Milan at Civica Scuola di Musica "Claudio Abbado".
He currently holds the position of Artistic Director of Lithuanian National Opera Theatre in Vilnius (LNOBT).
From 2015 to 2016 he regularly has been Assistant and Cover Conductor for Maestro Fabio Luisi both at NYC Metropolitan Opera House and at renewed Festival della Valle d'Itria, where, in July 2017 he debuted, with the new production of Verdi’s Un giorno di regno, which brought him great acclaims of critic and audience.
Meanwhile Sesto founded two opera companies Les Voix Concertantes in Paris and Bare Opera in NYC debuting respectively La traviata, Rigoletto, L'elisir d'amore and L'Enfant et les Sortileges (Ravel), L'Enfant Prodigue (Debussy), Goyescas (Granados), La cambiale di matrimonio (Rossini) and Figaro&Figaro (a new dramaturgic and musical fusion of Le Nozze di Figaro and Il barbiere di Siviglia).
He conducted several Orchestras, among others: Danish NSO, Latvian NSO, National Philarmonic of Russia, Symphonique de Saint-Étienne Loire, Philamonique de la Méditerranée, Haydn of Bolzan, Filarmonica Arturo Toscanini of Parma, Sinfonica Abruzzese, dei Pomeriggi Musicali and LaVerdi of Milan, of Accademia Teatro alla Scala, Teatro Regio of Turin, Arena of Verona, Comunale of Bologna, Teatro Lirico of Cagliari, La Fenice of Venice and he collaborated with soloists such as Elina Garanca, Sondra Radvanovsky, Matthew Polenzani, Mariusz Kwiecen, Roberto Alagna, Olga Peretyatko, Kristine Opolais, Markus Werba and others.
Among his recent and future engagements I Capuleti e i Montecchi at LNOBT, Le nozze di Figaro at Filarmonico of Verona, Vaccaj's Giulietta e Romeo at Festival della Valle d'Itria, L'elisir d'amore, La traviata and Il barbiere di Siviglia at Teatro La Fenice of Venice; concerts and Galas at Bolshoi Theatre of Moscow, in Portorico, at Alte Oper Frankfurt, at Opera of Riga, at La Fenice, at Filarmonico of Verona, at Baltic Music Season, at Municipale of Piacenza, at Opéra de Saint-Étienne, at Teatro Comunale of Bologna and at Teatro Lirico of Cagliari;
La Traviata at La Fenice, La Bohème, Il Barbiere di Siviglia and I Capuleti e i Montecchi plus a Lyric-Symphonic Gala at LNOBT, New Year's Eve concert in Riga with Latvian NSO, Don Carlo at Opera Las Palmas, Tosca at Teatro Municipale of Piacenza, Mercadante's Francesca da Rimini in Tokyo for the Japan Opera Foundation with Tokyo Philarmonic Orchestra, symphonic concerts in Budapest with Hungarian Radio Symphony Orchestra; La gazza ladra at Teatro Sao Carlo of Lisboa, Carmen at Teatro del Maggio Musicale Fiorentino, Rossini's Otello at Oper Frankfurt, L’elisir d’amore at Tiroler Festspiele and at Théâtre du Capitole de Toulouse; Bernstein's Candide, Bartok's opera-ballet dypthic Bluebeard's Castle /The Miracoulous Mandarin, La Bohème, Madama Butterfly, Anna Bolena, Der Fliegende Holländer and other concerts at LNOBT.